{"id":9727,"date":"2024-06-11T08:52:28","date_gmt":"2024-06-11T08:52:28","guid":{"rendered":"https:\/\/api.visittrogir.hr\/?post_type=news&p=9727"},"modified":"2024-06-11T08:57:48","modified_gmt":"2024-06-11T08:57:48","slug":"skver-grad-i-more","status":"publish","type":"news","link":"https:\/\/api.visittrogir.hr\/hr\/news\/skver-grad-i-more\/","title":{"rendered":"\u0160kver, grad i more"},"content":{"rendered":"\n
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Polaze\u0107i od samog naslova izlo\u017ebe otkrivamo tematsku okosnicu i autorovo podru\u010dje interesa, a to je prema njegovim rije\u010dima \u201esinergija grada i \u0161kvera te povratak u sr\u017e znanja o nastanku broda\u201c. Vilim Halbarth akademski je kipar porijeklom iz Trogira, grada koji su kao naselje Tragurion krajem III. ili po\u010detkom II. stolje\u0107a prije Krista utemeljili gr\u010dki kolonisti, trgovci s Isse (Visa) \u0161to nam ukazuje na to da je sudbina \u010dovjeka na ovom podru\u010dju od samih po\u010detaka bila vezana uz more i plovidbu, a samim time i brodogradnju.[1]<\/a> Neposredna blizina mora, brodova, \u0161kvera kao i obiteljska tradicija ribolova utabala je tako Halbarthov \u017eivotni put, ali i onaj umjetni\u010dki. Shodno tomu i etimologiju rije\u010di \u0161kver kao kolokvijalnog naziva za brodogradili\u0161te pronalazimo u gr\u010dkoj rije\u010di eskh\u00e1rion<\/em> \u0161to zna\u010di ognji\u0161te, radili\u0161te. U prenesenom zna\u010denju ognji\u0161te simbolizira i dom, izvori\u0161te topline u rodnoj ku\u0107i. Upravo ono \u0161to je ognji\u0161te predstavljalo ku\u0107i, to je \u0161kver zna\u010dio tipi\u010dnom mediteranskom mjestu \u2013 izvor egzistencije. Ta spoznaja utkana je u Halbarthovo stvarala\u0161tvo.<\/p>\n\n\n\n

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S obzirom na to da je stekao srednjo\u0161kolsko obrazovanje matemati\u010dkog smjera, geometrija i tehni\u010dka znanja su mu od samih po\u010detaka bila osnovno polazi\u0161te rada. Iako je naobrazbu nastavio u kamenoklesarskoj \u0161koli u Pu\u010di\u0161\u0107ima na Bra\u010du, a potom i na Odsjeku za kiparstvo pri Umjetni\u010dkoj akademiji u Splitu s vremenom su ga sve vi\u0161e privla\u010dile suvremenije kiparske forme pa se tako Halbarth naj\u010de\u0161\u0107e izra\u017eava stvaraju\u0107i impozantne prostorne instalacije. Njihove dimenzije i oblici aludiraju na brodske dijelove, a materijali od kojih su sastavljene su doista i sami njegovi gra\u0111evni elementi bilo da se radi o vijugavim cijevima, limovima kroz \u010dije otvore prolaze ventilacijska crijeva, ba\u010dvama ili strukturama nalik na podmornice i torpeda. Svi oni predstavljaju va\u017ene sastavnice broda, primjerice u ba\u010dvama se skladi\u0161ti plin za rezanje \u017eeljeza, cijevi u razli\u010ditim bojama slu\u017ee za dovod zraka, vode i sl. Ulaskom u izlo\u017ebeni prostor posjetitelj metafori\u010dki ulazi u utrobu broda pa su tako \u010dak i za osvjetljenje postava kori\u0161tene posebne brodske svjetiljke, tzv. parangali.<\/p>\n\n\n\n

Ono \u0161to je autoru neiscrpan izvor inspiracije su zvukovi, svjetlo, mirisi kao i samo gibanje radnika unutar \u0161kvera \u0161to nastoji prenijeti u svoje radove. Umjetni\u010dkom intervencijom, dekonstrukcijom i redukcijom raznih elemenata te njihovom ponovnom sintezom u galerijskom prostoru Vilim transformira brodogra\u0111evnu sirovinu u potpuno novi oplemenjeni objekt. Prigodno i galerijski prostor Arsenala, gra\u0111evine od povijesnog zna\u010daja za grad Hvar, svojevremeno je slu\u017eio za popravak galija i spremi\u0161te pomorskih potrep\u0161tina, a sam postav poziva posjetioca na do\u017eivljaj \u0161kvera.<\/p>\n\n\n\n

Osim \u010diste estetike kojom ove instalacije odi\u0161u izuzetno je va\u017ean sam prostor koji je njihov sastavni dio, kao i segment ljudske interakcije \u0161to je na tragu postmodernisti\u010dkih postavki minimalizma prema kojima je pozicioniranje djela u prostoru jednakovrijedan aspekt, a neposredna komunikacija s promatra\u010dem nu\u017ena. Umjetni\u010dka instalacija zahtjeva od promatra\u010da da bude aktivni sudionik, ne samo pasivni konzument. Promatra\u010d treba iskusiti kvalitete te\u017eine, visine, gravitacije, okretnosti ili \u010dak izgled svjetlosti kao materijalne prisutnosti. Stati\u010dnost, hladno\u0107a i surovost materijala jukstapozirana s dinamikom, toplinom i fluidno\u0161\u0107u ljudskog pokreta time \u010dini zanimljivu simbiotsku cjelinu za razumijevanje ovih djela. Kako navodi njema\u010dki filozof i kriti\u010dar umjetnosti Boris Groys: Instalacija nije tek prostorni razmje\u0161taj razli\u010ditih umjetni\u010dkih djela koja se mogu promatrati neovisno jedno o drugome \u2013 ona je fragment samog prostora (ispunjenog razli\u010ditim predmetima) koji se do\u017eivljava kao jedinstvo, kao objekt. (\u2026) <\/em>Instalacija dopu\u0161ta gledatelju\/posjetitelju mogu\u0107nost da u\u0111e u umjetni\u010dko djelo, da se smjesti unutar njega<\/em>.[1]<\/a><\/s><\/p>\n\n\n\n

U razdoblju pandemije dok je \u0161kver bio zatvoren Halbarth se, kako navodi, vratio svojoj prvoj ljubavi \u2013 kamenu pa tako na ovoj izlo\u017ebi imamo priliku vidjeti i skulpture u klasi\u010dnom kiparskom mediju, karijatide koje predstavljaju bo\u017eice plodnosti. Njihovim interpoliranjem u instalacije anorganskih materijala stvara se simboli\u010dka sinteza grada i industrijskog \u0161kvera \u0161to je autorova polazi\u0161na intencija. Osim navedenog, podru\u010dje interesa pro\u0161irio je i na video i fotografiju pronalaze\u0107i nove multidisciplinarne na\u010dine izra\u017eavanja.<\/p>\n\n\n\n

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[1]<\/a> Radi\u0107, Danka, Trogirska tradicijska brodogradnja<\/em>, \u00a0Ethnologica Dalmatica\u00a0, br. 22 (2015): 149-196. https:\/\/hrcak.srce.hr\/137868<\/p>\n\n\n\n

[2]<\/a> Boris Groys, U\u010diniti stvari vidljivima, Strategije suvremene umjetnosti<\/em>, Muzej suvremene umjetnosti, Zagreb, 2006., 56. i 57.<\/p>\n","protected":false},"excerpt":{"rendered":"

Polaze\u0107i od samog naslova izlo\u017ebe otkrivamo tematsku okosnicu i autorovo podru\u010dje interesa, a to je prema njegovim rije\u010dima \u201esinergija grada i \u0161kvera te povratak u sr\u017e znanja o nastanku broda\u201c. Vilim Halbarth akademski je kipar porijeklom iz Trogira, grada koji su kao naselje Tragurion krajem III. ili po\u010detkom II. stolje\u0107a prije Krista utemeljili gr\u010dki kolonisti, […]<\/p>\n","protected":false},"author":1,"featured_media":9734,"template":"","news-categories":[],"class_list":["post-9727","news","type-news","status-publish","has-post-thumbnail","hentry"],"acf":{"related_news":"","files":false},"translations":{"hr":"skver-grad-i-more"},"yoast_head":"\n\u0160kver, grad i more - Turisti\u010dka zajednica grada Trogira<\/title>\n<meta name=\"description\" content=\"otvaranje izlo\u017ebe SKVER, GRAD I MORE - ARSENAL, HVAR, 14.6. 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